February 17, 2006
CELLAR REFLECTIONS

A recent poll on eRobertParker about the amount of money we hobbists spend on wine caused me to reflect about where my wine hobby is really going. First off, I don't really wanna hear about this stuff! But, they say the first step is to admit that you have a problem... er, I mean a hobby. The questions seemed innocent enough; but, the answers were more telling.

1) How long have I been "collecting" wine? (These would be wines that I've sought out, generally low production wines that are not intended to drink right away.) I've been buying nicer wines since about 1983. I bought run-of-the-mill stuff before that, but didn't develop an appreciation for finer wines until a trip to Santa Barbara County in 1983. After that, I began reading lots of books on the subject, and attending instructive tastings.

2) How many bottles do I buy per year? Probably about 200 or so. This could obviously vary with the number of offerings made by wineries or things I "discover" in my travels. In addition, there any number of white or sparkling wines that I might buy, that are not included in this number. Hey, that's cheating!

3) How many bottles do I have cellared? About 450-475, and this number is fairly constant, because I have a stand-alone cellar in my garage that will only hold about 450 bottles. This means that I have to store the excess wine that won't fit in the cellar, somewhere in the house. I don't intend to rent an off-site storage unit to cover any overage, so this alone keeps me pretty much in tow - almost.

My buying habits have changed only slightly over the years. I've always bought wine in small multiples - usually 1-3 bottles. I prefer to purchase wines in breadth, rather than depth, so I can try many more wineries' offerings. Once in a great while, I will buy 6 bottles of a given wine, but this is a rariety. Lately, I find myself buying only 1-2 bottles of a particular wine. This is due somewhat to the current price of wine, as well as a desire to buy finer (read more expensive) wines. In the long run, I'm hoping this psychology will produce a reduction in the quantity of bottles purchased, and may effectively reduce what backstock I have in the house. Then again, I'm probably just fooling myself.

February 15, 2006
GRAPE RADIO INTERVIEWS

I was able to sit in with the GrapeRadio guys (Brian Clark and Jay Selman), discussing with guests, "The Wines of Hungary," and Wine Education, with emphasis on the Master of Wine (MW) degree.

The Wines of Hungary
We made a morning call to Hungary (time difference is 10 hrs) to interview Lazlo Meszaros, Director of Disznoko winery in Tokaj, Hungary. Disznókõ (dis-NOAK-yew - "Boar Rock" in Hungarian) might be the standout winery of about 80 producers in the Tokaji-Hegyalja region, about 250 km NE of Budapest. Wine has a history here from the middle ages, but the area is most famous for Tokaj, the sweet botrytised wine.

Language was no problem (at least for Lazlo, as he is fluent in English and French, as well as Hungarian.) On the other hand, pronouncing Hungarian words was a little more challenging for us. Lazlo told us that Disznókõ was part of an older estate that fell into disrepair during the years of communism, re-emerging in 1992 after significant investment by the owners, the French consortium AXA. The area had 10,000 hectares of vines before WWII, now have about 5,000 hectares, or 12,500 acres. The soil is a combination of volcanic and clay, lending a nice acidity and minerality to the wine, and the region apparently gets a lot of mist or humidity - significant enough that most of the grapes easily develop botrytis.

Four grape varieties are used in Tokaj: Furment (60%) and Harslevelu (30%), with Yellow Muscat and Zeta making up the balance. The vineyards are less than 20 yrs old, owing to the fact that commonly these varieties are re-planted roughly every 15 yrs. Interestingly, the previous plantings had much less density of vine, owing partially to the use of Soviet equipment, as well as the desire to produce more quantity than quality. Harvesting is very labor-intensive - the grapes are picked by hand (by the cluster for the dry wines; one grape at a time for the sweet wines) during several passes through the vineyard.

Disznókõ makes a dry as well as several sweet wines carrying different levels of residual sugar. Aszu is the name given to the highly concentrated wines made from the effects of a combination of the Noble Rot (botrytis) and shrivelling due to over-ripening. More botrytised and less shrivelled grapes are usually macerated in wine, while the more shrivelled and less botrytised grapes are macerated in fermenting must, giving them more extraction and viscousity. This concentration, caused by increased residual sugar is classified in terms of puttonyos (pu-TUNE-yosh). The more concentrated wines are called Aszu Eszencia, with the highest level called Eszencia, at something more that 450 g/l of residual sugar. Because of its low alcohol (3-4%), the wine really can't be called a wine - its really more of a nectar. The Aszu wines are aged in oak (mostly Hungarian), usually for 3 years, in miles of caves with walls covered in black mold - essentially living off the vapors. Production is about 5,00 cases and they're bottled differently too, using 500ml bottles, rather than the usual 375ml.

Very instructive interview about some wines that I knew very little about.

Master of Wine
The afternoon session was an interview with Dr. Patrick Farrell, a Master of Wine from Huntington Beach, CA. Dr. Farrell is Board Certified in both Internal Medicine as well as Ophthalmology.

The focus of our discussion was to get an idea of why and how someone might want to become a Master of Wine (MW) - attaining the highest level of wine knowledge possible. Until just recently, becoming an MW was limited to only those in the wine industry. There are currently only about 278 MW's scattered over 20 countries, though the vast number of MWs are located in the United Kingdom. Seem surprising? Well, the credential itself was conceived in the United Kingdom, and at the time the first examinations were held in 1953, Britain was the largest importer of fine wines. The British had been very involved with the Bordelais for hundreds of years, and had essentially founded the Port trade. At the time, most wine was purchased and imported in barrel, to be bottled by the wine merchants at a later date.

The wine trade was always consider very prestigious in Britain. Those permitted to take the test were either UK wine merchants, or in some other capacity in the UK wine trade. The Institute of Masters of Wine was founded in 1955, and took over the annual examination. It wasn't until the 1980s that the first non-UK examinations were held for those in th eworld-wide wine trade, with the first candidate succeeding in 1987. Since 1992, conditional admittance has been made occasionally to applicants who are not making their living in the wine trade.

The road to obtaining an MW is long, hard and expensive. Several years of wine industry experience is considered a prerequsite, and the 2-year preliminary education program is not designed to teach a student everything needed to pass the examination. As Patrick pointed out, one must have a very high degree of motivation and self discipline to succeed. Another difficulty that Patrick related is that because the examination is held only in English and relies so heavily on essay-type questions, it becomes quite difficult if English isn't one's first language. Frequently, one must try multiple time to pass the examination.

Once admitted to the program, education seminars and examinations are held annually over a 4-day period in London, Napa, and Sidney. The Theory part of the exam requires one to write four papers on the subjects of the Production of Wine, the Business of Wine, and Contemporary Issues. The questions are very open-ended, such as: "Medals from wine shows and competitions are not worth the paper they are written on. Discuss." The Practical part of the exam consists of three papers written after blind-tasting three 12-bottle flights of wine - from white to red to dessert and sparkling. With all that writing, it's no wonder that some MW's have familiar names: Michael Broadbent, Jancis Robinson, and Clive Coates.

There are currently no 'continuing education' requirements to maintain the credential, but the IMW is considering the possibility.

The second part of Patrick's visit was devoted to tasting us on a new device - the Wine Enhancer! This device contains magnets - yes, magnets and fits over the neck the bottle, allowing the wine to pass through a magnetic field. Were we skeptical? Of course! We even chided Patrick about how this reminded Jay of methods to extract gold from salt water. Patrick explained that he too was initially skeptical. But, after trying it out, he bacame an investor. This prototype looked similar to a bar pouring mechanism, only it fit over the neck, pulling on and off easily. As Patrick told us, the purpose was to somehow affect the long-chained tannins in a wine - primarily wine that has seen heavy oaking, and soften it by converting the long tannin chains to short chains.

Willing to be Guinea Pigs, we tried side-by-side comparisons of two wines and a whiskey. All the samples poured through the magnetic device were indeed softened, especially through what might otherwise have been a bitter finish. Notably, the device works better on wines that receive their oak doses in chips, rather than staves. That is to say, it works better on less-expensive wines, and is not as useful on older or more expensive wines. The device will be marketed by BevWizard, and sell for about $30.


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